Review of Merce Cunningham Dance Company at the River To River Festival in Rockefeller Park (August 1 & 2, 2009)
(Battery Park City, behind Stuyvessant High School)
MCDC gave a free, very intimate OUTDOOR performance this weekend .
They set up two raised stages in the grass, about 100 feet apart, and performed a dozen or so dances from
their repertory.
Set list, with times (note the two unrelated programs in column A and B for the near and far stages):
The 4 channel sound system was really excellent --
very dramatic, crisp, clear ambient sounds, ala 2nd wave John Cage, done by
I loved some of the later pieces in the set, especially the duets. Also amazing were the solos by Rashaun Mitchell
and Andrea Weber.
The audience had some very serious long time fans. Almost no children were there, although the ones that were seemed to respond emotionally to the movement on stage. A 3 year old near me was definitely shaking a
tail feather so hard that it annoyed one older fan and the dad had to sort of restrain the kid.
People were wearing hats and shirts with Cunningham's name on it, so they were definitely knowledgeable and loyal. It was even more of a diehard audience than the ones that line up for Fall for Dance (the well attended ten dollar a seat event that, intended as a popularizing introduction to dance is, ironically, so hard to get tickets too, that only insiders tend to go).
Usually I sit really far from these things. The view from the cheap seats emphasizes choreography and sound
but at Saturday's performance, I was in the front row , sitting on a picnic blanket in the grass, and was so overwhelmed by the presence of the dancers and their physicality that I was distracted from the dance. It was like getting good seats at the US Open and seeing crushing tennis serves from a frighteningly close distance.
The best seats would have been on the New Jersey side of the lawn so that you could sit
with your back to the sun and see both stages at once.
The style of dance was un-visceral and unfunky. MCDC does not "swing" in any sense, and I can see how they were the perfect troupe to do site-specific dances for various galleries in the Dia:Beacon recently (2007 - 2009).
Seeing snippets of MCDC, with no overall arc or buildup to the action, was a little tiring. There's a James Joyce/Ullyses feel to the stream of randomness, both random sound and random movement. It's pretty demanding for the viewer. If MCDC were an oil painting I would hang it near Cy Twombly and Piet Mondrian. Not having much to compare it to, I'm going to say I liked Saturday's potluck program a lot more than when they danced Radiohead/Sigur Ros at BAM and liked it a lot less than when they danced Ocean at Lincoln Center Rose Room.
The pale indoor aclimated dancers survived full sun-exposure -- just barely.
The sun was hot on audience and performers alike, illuminating them dramatically.
It was interesting to see some of the dancers smile while dancing but that they do not as a rule smile, in contrast to the ballet where it is sort of a given that the dancer will smile through much of the dance.
Afterwards the dancers all changed into less-revealing garb and came to hang out on the lawn with anybody who was still around. That was an added bonus.
Also, with his death this week, the dance functioned as a public wake and celebration of Cunningham's work. It's still a sad week and one member of the company made a very short announcement at the end, thanking everyone for marking the occasion of his passing.
Inserted in the program:
BTW, if you are a Tom Otterness fan, there is a MAJOR collection of his sculptures in this park -- as big an assortment as the ones installed throughout the Eighth Avenue L Train subway Terminal and even more thematically cohesive.
Between seeing the sculptures and the dance, we felt really lucky.
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